11/7/2021 0 Comments Mamiya 7 Ii Vs Pentax 67Ii
It didn’t help that this time the mirror locked up after every few shots (a common fault on some models). I again tried to force myself to like the Pentax 67 in 2018, but again I found it unwieldy. Contrary to the majority of my fellow professional camera-likers, I found the Pentax 67 to be too big, too heavy, too manual, and too unreliable. I would highly prefer a built in meter and have found both the Pentax 67ii and Mamiya 7ii to have good options for this.The first time I used a Pentax 67 was in the winter of 2016. >3936467 >Is Pentax 67II really better than Mamiya 7II A quick eBay search shows me that you can get a 67ii for a lot cheaper than that and the Mamiya 7ii goes for even higher that the pic you posted, so you might just be comparing a really good deal you got with a somewhat shitty deal on eBay that you found.Pentax 67ii vs Mamiya 7ii I shoot primarily landscapes and after using the Mamiya RZ67 for a few years I would like to invest in a more compact and handhold friendly system.Despite the Mamiya 7 losing the battle, I suppose it’s only fair to first point out that Anais was seemingly right about the two things he asserted.And so it was with some reluctance that on a blustery day in early August of this year I decided to once again shoot the Pentax 67. 6.1 Final Score: Makina 67 4:0 Mamiya 7. 5.1 Makina 67 3:0 Mamiya 7.
At just under 5 lbs, the camera would be heavy enough to set off the passenger seatbelt warning chime of a modern car, and the absence of alarm noise added itself to my long mental list of the joys of old vehicles.My mind wandered through orchards of thought during the monotonous drive northward. On the seat next to me sat the geometric metal bulk of the Pentax 67. And nowadays, the Mamiya 7 is GORGEOUS stuff, but it is over twice the cost of the Pentax 6x7 for comparable lenses.The prices for the 67ii and the Mamiya7 (and 7ii) are going up but you can sometimes find a first generation Pentax 67 (the older 6x7 are also cheap too but not as new) for under 500 if you look. But I wouldn't mind if someone wanted to GIVE me a Mamiya 7 with a couple of lenses (that camera didn't exist when I bought into the Pentax 6x7 system). Mamiya RZ67 Pro II Medium Format Camera New Pentax 67II Medium Format Camera.I made this decision 15 years ago and I have no regrets. The distant sky to the north was dominated by clouds, grey and ominous.Than 80 cameras goodbye large format, mamiya 7 vs plaubel makina vs mamiya. Still, I mused, If I didn’t like the uncertainty and the challenge (suffering?), I’d not be shooting film cameras in 2020.In the Seaport district of Boston there’s an enormous asphalt-covered pier known as the Fish Pier, which was first constructed in 1910. I believed him and took his advice, setting my Keks light meter to 50 ISO, even if conditioned experience told me to expect imperfect or useless photos from this ancient film. Expired in the year 2002 and gifted to me by my friend Cheyenne Morrison, the roll of Agfa Agfacolor Ultra 50 had reportedly been cold-stored since new and Cheyenne advised me to expose it as if it were still 2002. If it could, Katsuhiro Hayashi’s Outride a Crisis might’ve been appropriate.The Pentax 67 was loaded with an unusual film. The car was too old to stream music from an iPhone. I felt the creep of depression and stamped the accelerator. The camera was able to use 220 film as well, though this feature is now moot as 220 film is no longer manufactured.There are four models in the Pentax 67 range. The typical Pentax 67 kit features a standard lens (around 105mm), a viewing prism (eye level, waist level, or with a metering head, typically), and a big-honkin’ wooden handle which can be removed or placed on either side of the body.The camera uses 120 film and exposes images on a 6 x 7 centimeter area (hence the name). The Pentax 67, like many smaller professional-spec SLRs for 35mm film, is a system camera which features a body to which lenses, prisms, and accessories can be interchanged by the user. But if you’re new or have simply missed the crest of the 67 popularity wave, these few brief paragraphs will bring you to speed.The Pentax 67 (and subsequent models in the 67 family) is a single lens reflex medium format film camera first introduced in 1969 and produced in various iterations until it was discontinued in 2009. This is where I parked after my half-hour drive to the city, and it’s where I shot the first photos in my most recent attempt to fall in love with, or to appreciate, or understand, or respect, or maybe even just tolerate the Pentax 67.The Pentax 67 is loved by many, and most film shooters these days know this legendary camera on sight. At the end of the pier, in pride of place, there’s a stout building containing the New England Fish Exchange which historically held fish auctions, but which now serves as a conference center. Major improvements include a rigid right-hand grip to supplement the optional left-hand grip of earlier models inclusion of a modern Pentax 5P flash connector improved long exposure capability and an LCD panel to display ISO, film frames, battery status, shutter status and flash status. Metering range, however, remained identical.The fourth and final iteration, the Pentax 67II, was released in 1998 and it’s easily the most capable of the bunch. The greatest improvement in the 67 (besides some reliability fixes which we will touch upon later in the article) was the improved metering prism, which swapped the old CdS cell for the more responsive silicon photo diode. Though virtually unchanged in specification from the previous model, it does show minor cosmetic updates, including the new branding “67” as opposed to the earlier “6X7.” It is compatible with all previous model accessories, lenses, and prisms. This switch locks the mirror up prior to firing the shutter, thus eliminating mirror-slap vibration for low light and long-exposure shooting.The third version, the Pentax 67, was introduced in 1989. This improved model was also marked “6X7.” It featured a mirror lock up function, and can be easily identified by the presence of a sliding switch on the right hand side, just behind the lens mount. ![]() I usually refuse to work on them or will charge $500, plus parts.The major problems range from film not being pulled through the camera due to a bad winding clutch, the mirror locking up, transport locking up, and the shutter not charging for the next shot.There are several ways to identify these units. Every unit needs updating or modifying to bring them back to good working order. These units are almost considered “Prototype.” They were the first ones off the assembly line and now they’re developing a variety of problems, and as a technician they are becoming a nightmare to repair. A lot of people are using them and a lot are being sold from Japan. Mamiya 7 Ii Vs Pentax 67Ii Serial Number In BlackOf course there’s also the mirror lock up switch. The lens release tab is silver, as is the battery holder, and the knurled thumb film release at the bottom instead of a flipper lever.These are the units to look for, and the more modern ones have their serial number in black and engraved on the top cover. Then inside the back there is a rubber roller where the improved models have a steel roller. Lucky looterThe next most common problem is the clutch. What happens is the battery holder tension spring inside the holder is too tight on the battery and can disconnect from one contact or the other. The number one problem with these is battery drain. In good condition (barring sand, water, or impact damage), the cost of repair ranges from $250-300, plus parts.The units marked 67 (as opposed to 6×7) are the most current of the original 67s. I can still get parts for them and they hold up over years of use if handled with care. Also, the chain for the metering system connection in the body can snap easily. They either need foam bumpers of the viewfinder system inside breaks away making it impossible to see the meter.
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